Back to Stories

Visual Delights Spring From Wildfires Past In A Forest Reborn

Skunked In Her Search For A Grizzly, Sue Cedarhom Reflects On the Power Of The Flame

With no bruin or even the Tetons in her sightline, Sue Cedarholm beholds the nursery of a new forest.
With no bruin or even the Tetons in her sightline, Sue Cedarholm beholds the nursery of a new forest.
What a difference a day, or a year makes.

One day the meadow had a big, beautiful, male grizzly bear digging and grubbing for roots, eating as much as he can before hibernation. I was lucky to photograph him for over 3 hours that morning.

I came back in the afternoon and he was still there, just a quarter-mile from where I had left him hours earlier.  That night we got several inches of snow. I thought it would be exceptional photography to capture images of the bear in fresh snow. It was overcast as I drove north out of Jackson into Grand Teton National Park.

When I got to the meadow at the park’s north end, the clouds were dissipating and the sky shockingly blue. The snow was melting quickly off the trees, clumps of wet snow falling with a soft plop.  The bear was no where to be seen.

I parked in a turn-out to wait, hoping the grizzly would reappear. Because the bear was absent I paid more attention to the scene and realized a wildlife protagonist wasn’t needed.

Last summer a wildfire had burned through this whole area of the park, closing the highway for a week or more, filling the valley with a muted pall.  Most every summer of late we’ve had weeks of smoke, concealing the mountains, one of the reasons we live here, and making it hard to breathe.

Fires are vital for the health of the forest and they are expected to become more frequent with climate change. The heat of flames pop open the serotinous pine cones of lodge pole, allowing them to fall out of their protective shell and germinate.  The sheltering forests we love grew out of blackened earth.

In the years after a blaze, fireweed blankets the area, different fire-adapted birds and animals arrive, taking advantage of the new growth and finding insects in the dead totems. For this painting, the stark black trunks of the trees appeared like rows and rows of toothpicks stuck in the snow, a graphic reminder of nature’s creativity in necessary “destruction”.
Sue Cedarholm
About Sue Cedarholm

Jackson Hole-based Sue Cedarholm is a multi-media artist—painter, photographer and maker of nature-themed, wearable apparel.  You can find all of the works in her ongoing series at Watercolor Diary.
Increase our impact by sharing this story.

Related Stories

September 20, 2017

A Good Life Writing After Years In The Forest Service
Mountain Journal columnist Susan Marsh spent three decades working for the US Forest Service, working on recreation and wilderness protection in...

October 9, 2017

George Carlson's Perpetual State Of Wonder
George Carlson is considered one of the best contemporary nature painters in the world. Mountain Journal visited the American master at...

September 19, 2017

Brian Jarvi’s “African Menagerie” Shows How Fine Art Can Move The Masses
Unprecedented Wildlife Painting Featuring 209 Species Was Partially Inspired By Thinking About Greater Yellowstone.