“Hungry Fox Equinox,” a painting by R. Tom Gilleon. “During winter,” Gilleon says, “many plains tribes referred to the season as the time of the hungry moon.” Painting used with the artist’s permission. To see more of Gilleon’s work, go to tomgilleon.com

Words from Lois Red Elk are always a delight to receive.

“We have been freezing over in this part of the state,” she writes. “How are you wintering?”

Amid the cold season, Red Elk has been stoking the fire with warm thoughts of important women in her life. The two poems, below, are about Red Elk’s Hunkpapa grandmothers who helped raise her.

“My father’s mother was such a kind and gentle woman and left a universe of knowledge with me. She and my paternal grandmother were half sisters. They belonged to a Hunkpapa Dream Society and both were dream interpreters,” Lois shares. “All the knowledge they had about dreams was passed on to me

and all my siblings and cousins.”

Modern science confirms what the Hunkpapa knew innately—that sleep and the visions which come with it—are important windows into what’s happening in our conscious existence. ” During these months of winter, when the earth sleeps, we women in the society are encouraged to dream deeply and share our dreams with each other,” Lois explains. “This sharing keeps us close culturally, spiritually and is like an institute where knowledge is gained and satisfied.” Lois says the poems reflect the dream culture and how dreams can help us today in our daily lives. Mountain Journal is proud to announce that Red Elk is debuting “House of Portals” here. Consider it her gift to you and carry the words with you into your own dreams tonight. — Mountain Journal

Lois Red Elk’s grandmother on her father’s side, Brings Her Sorrel Horse (1884-1938), was a member of the Dream Society. She had an individual belief against having photos taken that showed an exact image of herself. Thus, this photo is one of Lois’ prized reminders and for the poet the best way of honoring her memory is in words. Photo courtesy Lois Red Elk

The Dream Interpreter

By Lois Red Elk

Elderly in shawls, the hesitant young, strong men

in dirty work clothes, mother’s with troubled youth,

fathers with sons, neighbors – all entered her door

with offerings of meat, money, warm bread, tobacco,

sweet grass, cedar, blankets and sacred pipes. All

had the same need, the same trust, the same faith.

A most unique practice existed on this quiet lone land

surrounded by cottonwoods and believers. Hers was

a world of dreams so sacred everyone knew why

she was so humble and kind. She knew knowledge

could be in footsteps, in how one consumes water, in

the way an animal was held, or in the care of hands.

Sharing the most private visions, the most secret

revelations, and the most hidden fears, they came and

confided. Was silence a sign of joy, is joy a sign of

betrayal? Can dismay be a sign of pain, is pain

expressed in loud laughter? Premonitions, déjà vu,

the sixth sense, a foreboding, nothing was unknown to

her enlightenment. Her education was communication

with angels, spirits, ghosts and the lost. Can dominant

colors in the sky shape the life of a child? Can an

animal capture the walk, talk and spirit of a man?

Would Freud and Aristotle comprehend if the earth

spoke with them? How could a people be so close to

the motion of the universe that they could make time

stand still and see into the future? How and when does

a person leave their body and travel the spiritual plane

of this reality? She was called a dream interpreter.

She was from the Hunkpapa band of Lakota. She spoke

the Lakota and Dakota dialects. What she was not was

primitive. She had a world of understanding unlike

any I have ever known. I loved her dearly, and she

interpreted my childhood dreams for my living.

©Lois Red Elk

“Dream Interpreter” is from Red Elk’s acclaimed book, Why I Return to Makoce, 2015, Many Voices Press

A bald eagle: “eagles carry our prayers to the great spirit,” Red Elk says. “In our Dream Society, the eagle often relays messages to other dreamers.” Photo courtesy US Fish and Wildlife Service

House of Portals

(For Grandmother High Back)

By Lois Red Elk

The house of portals takes my story from once upon a time

to this present room where a resurrected eagle and hawk have

winged their way to my personal space. Their essence perches

in the living room context and listens for something moving,

as dreams take a quantum leap into my sunrise.

My home, on the ‘rez’ in northeastern Montana, has been the

portal entrance for this present journey through space. Some

call my stories myth, well myth works for me and continues to

be the encyclopedia for my life. I entered this zone from stars

to this star, through a unique atmosphere, from a sacred zygote

produced by Back Tracks His Horses and Good Voice Woman.

In this HUD home are stories, carried on ash poles, that chronical

my path. One pole supports the head of a sacrificed Eagle along

with all the sacred feathers. The pole is secured to the wall by

nails and screws. The eagle head is not dead. The eagle spirit

remains according to heart, and the eyes of the eagle search the

room, the air and has vision through the walls and into the

atmosphere surrounding my home. It is always the movement

of other spirits that trigger the eyes to wake from a dream space

that exists in our parallel world.

This yard, this house, this open heart accepts all animal prayers

and welcomes the carved cottonwood bowl with cleansing sage

smoke to my hair. It is then I know we are all one for this early

morning nourishment of earth presence where no famine lingers

only the domain of pure harmonious spirits.

Prayer exists in this home, prayer that includes the energy of all

the spirits who live here. I welcome and encourage all these

entities by preparing a container of sage that I pick every year

out in the country. Sage is for cleansing bad thoughts from the

area and all things that are negative. It is important for story to

abide according to ritual and my ritual has been practiced for eons.

This ritual not only acknowledges that there is negative, but there

is also positive energy that needs to be lauded forever. I know

this as ancestor’s prayers instructed me so that all will balance for

this day. These aromas fed my spiritual needs so that I am filled

with eternal love and humility. This practice keeps me alive, I will

never know void. I will only know energy that is fed the same way.

I walk in moccasins made of sacrificed deer hide, not for running

or escaping but walking purposefully down the hallway that daily

transforms from a rug to a path of fresh buffalo grass where I

recognize an echo off living air next to grandma’s vibrating

neutrinos. They have assembled to greet me at my bedroom door.

To walk this earth in a sacred manner I must connect the skin of

my feet or the skin of the deer with the surface of the earth. The

deer sacrificed its life for my nourishment and for my protection.

The deer know this. Through the connection between myself and

Mother Earth, my life becomes renewed by the everlasting potency

radiating from Mother to me. She was and will always be my

umbilical cord, keeping me close to her heart, feeding me with

breast food, water, herbs, breath and fire. With this bond, I have

no need to flee, fear or hide. All fear is removed all I need do

is walk the good red road laid out for me in the traditional stories.

This connection, this road, this path can then transcend this space/

reality to the parallel world and back to me. That which exists

there comes alive with its own vitality, own vision and opens my

eyes to all sacred places. The vibrating coming from this space

arrives in my body and allows me to make my way to the place

where I can enter another world, the place where my grandmother

has planned to meet me in eternity.

We unite as our energy embraces a common cloak, a common

mind of belief and love, and instantly I am standing next to her

at the wooden table in the log house grandpa built, where she

sews quilt pieces made into blankets that yawn prayers over all

lives she protects. My life, too, shielded in the stitches and blood.

In my upbringing I learned very carefully the meaning of love

from my grandparents and my second set of parents, my aunts

and uncles. The meaning of tiwahe, or family, means all the

energy, spirit and love that exists in our household is extended

to the children, elders and close family members. It is what

keeps us together, cooperating and surviving. This love and

spirit continues after death. For us D/Lakota, the human body

ends, but the spirit and potency that was given to us by the

Great Spirit continues. In our prayers, dreams and ceremonies

we can reconnect with those spirits. My grandmothers and

aunts made me several quilts when I was young and I remember

all the love and careful planning that went into those quilts. When

I cover myself at night, I am warmed, comforted, and connected.

This is one place where I am united.

We speak this way, mind to mind, and have done so all my life

as planned from the other world. Now it is the moment, time to

burn cedar for her precious words and burn sweet grass for her

grace as I accept this oath, this unbreakable love between all space

and all that moves. We bring presence where our portals open.

©Lois Red Elk

“House of Portals” is new and being shared with Mountain Journal readers .

We say this to Lois: Pidamaya —thank you.

Lois Red Elk-Reed is a poet who calls the high plains home. She is Mountain Journal's poet in residence.

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