In this dawning new year, poet Lois Red Elk once again brings valuable perspective to the little things of daily life that matter most. Below, she offers Mountain Journal readers the opportunity to expand their indigenous vocabulary in 2018. First, in her piece “A Well Worked Design”, she calls attention to the inexplicability and interrelatedness of nature’s design as expressed through the forces of daku-shkah-shkah. Secondly, she reminds adults that by our actions and examples we set to take heed of one of the most previous gifts known to humankind. In Red Elk’s native Lakota/Dakota, the word is wakanyeja though ever culture understands its sacredness.With “Spirits of Our Own”, she reminds us that even as time goes on, the loved ones we hold dear and who depart physically are never far away. —MoJo editors

By Lois Red Elk

We have been in a deep freeze here on the northern plains with extreme low temps. But we are surviving.During these moons of cold, reflections without the sun, and season of celebrations andstory telling, I always share stories of Spirit.

A Well Worked Design

Imagine a design so perfectly ordered

like a spider’s web or a leaf,

breath of gods, dust borrowed from an ancient

planet, a salamander kind of

anatomy, crawling, then running for a life on this

terra firma, lungs modeled after

sea creatures from the past then fine tuned for

air, a tawachi born for this space,

for those beginning dreams, but with potential

to create, develop. We look at

markings, a sketch, prints in petrified rock, in mud,

on plateaus where settlement is

foreseen as safe for female members. They smile

believe this arrival is all predicted,

the cloak of clouds, the liquid of space between

nurturer, fire, the soft flexing power

of what makes all things move, subscribe to a

habitation – daku shkah shkah.

With pursuit, they raise their thighs for the rhythm

created where bones and shells mingle

sending a strong layered telling from deep in the

throat of lyrics and journeys.

They share the coming and going among all who

listen, they raise their arms and

palms to the wonder of a giant zitkala flashing bolts

of light sent forward and down

inviting thunder. They will keep the promise to

creation to revere wakanyeja,

as precious and call it enlightenment. A subtle

predicted growth surrounds,

brings patience. Time to build the counting of

long winters, establishing occupation

among mountains and plains. Time to receive

flow of female water, an altar

realized in womb, where growth is seen, received

as a well worked design with aid

of apparitions dwelling in dreams – a growing

transformation into fluent beings

letting go a new kind of sacred laughter

for all to assimilate.

©Lois Red Elk

Tawachi: mind

Daku-shkah-shkah: that which makes everything move

Zitkala: bird

Wakanyeja: children

Spirits of Our Own

They lived where we spent our joyous play, where

we lived in the moment and in deep thought, lost

in a corridor of innocence and trust. They came to

see us during those times. We were a light that was

bright and beckoning, nothing to inhibit or shade

our peace. Our light was an invitation for all the

spirits to approach. We could feel them in the area

or bracing our energy with love and understanding.

Such energy was like an invisible force that seemed

related to our breath, seemed like the dear grandmas

who cooked for us, who smiled their approval, who

tucked us into bed at night, that kind of presence.

When the light shown through the willows or when

a gentle breeze rustled the grasses we knew they

were talking to us. A thought would come into our

minds that asked how we liked the atmosphere, or

what we were playing. Sometimes we would answer

them out loud and sometimes we would just hum

and acknowledge the essence of their thoughts and

affection. Their nearness was always comforting

like they were our spirit relatives. Sometimes when

we were playing we would look up and see them

standing in the distance. Sometimes we could see

them approaching. One of the spirits was a delicate

woman, like a mother or auntie. She was always

dressed in a long flowered dress with a multicolored

belt. She kept her hair in neat braids and wore beads

and shells around her neck. Her moccasins were

soft and brown. She would always sit with us while

we played with our dolls. Her presence was always

comforting and welcomed because the visible glow

from her body was warm and safe. Sometimes we

would share those meetings with our parents or our

aunties. All they would do was smile and gently

tell us that it was all good. Lila Wasteste Bebela…

© Lois Red Elk

Lila Wasteste Bebela – Very good little babies

From: Why I Return to Makoce, 2015,

Many Voices Press, Kalispell, MT.

Lois Red Elk-Reed is a poet who calls the high plains home. She is Mountain Journal's poet in residence.

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