Back to StoriesSpeaking The Ancient Lexicon Of North America
January 1, 2018
Speaking The Ancient Lexicon Of North AmericaIn Two Poems For The New Year, Lois Red Elk Expands The Human Vocabulary
In this dawning new year, poet Lois Red Elk once again brings valuable perspective to the little things of daily life that matter most. Below, she offers Mountain Journal readers the opportunity to expand their indigenous vocabulary in 2018. First, in her piece "A Well Worked Design", she calls attention to the inexplicability and interrelatedness of nature's design as expressed through the forces of daku-shkah-shkah. Secondly, she reminds adults that by our actions and examples we set to take heed of one of the most previous gifts known to humankind. In Red Elk's native Lakota/Dakota, the word is wakanyeja though ever culture understands its sacredness.With "Spirits of Our Own", she reminds us that even as time goes on, the loved ones we hold dear and who depart physically are never far away. —MoJo editors
By Lois Red Elk
We have been in a deep freeze here on the northern plains with extreme low temps. But we are surviving.During these moons of cold, reflections without the sun, and season of celebrations and story telling, I always share stories of Spirit.
A Well
Worked Design
Imagine a design so perfectly ordered
like a spider’s web or a leaf,
breath of gods, dust borrowed from an ancient
planet, a salamander kind of
anatomy, crawling, then running for a life on this
terra firma, lungs modeled after
sea creatures from the past then fine tuned for
air, a tawachi born for this space,
for those beginning dreams, but with potential
to create, develop. We
look at
markings, a sketch, prints in petrified rock, in mud,
on plateaus where settlement is
foreseen as safe for female members. They smile
believe this arrival is all predicted,
the cloak of clouds, the liquid of space between
nurturer, fire, the soft flexing power
of what makes all things move, subscribe to a
habitation – daku shkah shkah.
With pursuit, they raise their thighs for the rhythm
created where bones and shells mingle
sending a strong
layered telling from deep in the
throat of lyrics and journeys.
They share the coming and going among all who
listen, they raise their arms and
palms to the wonder of a giant zitkala flashing bolts
of light sent forward and down
inviting thunder. They
will keep the promise to
creation to revere wakanyeja,
as precious and call it enlightenment. A subtle
predicted growth surrounds,
brings patience. Time
to build the counting of
long winters, establishing occupation
among mountains and plains.
Time to receive
flow of female water, an altar
realized in womb, where growth is seen, received
as a well worked design with aid
of apparitions dwelling in dreams – a growing
transformation into fluent beings
letting go a new kind of sacred laughter
for all to assimilate.
©Lois Red Elk
Tawachi:
mind
Daku-shkah-shkah:
that which makes everything move
Zitkala:
bird
Wakanyeja:
children
Spirits
of Our Own
They
lived where we spent our joyous play, where
we
lived in the moment and in deep thought, lost
in
a corridor of innocence and trust. They
came to
see
us during those times. We were a light
that was
bright
and beckoning, nothing to inhibit or shade
our
peace. Our light was an invitation for
all the
spirits
to approach. We could feel them in the
area
or
bracing our energy with love and understanding.
Such
energy was like an invisible force that seemed
related
to our breath, seemed like the dear grandmas
who
cooked for us, who smiled their approval, who
tucked
us into bed at night, that kind of presence.
When
the light shown through the willows or when
a
gentle breeze rustled the grasses we knew they
were
talking to us. A thought would come into
our
minds
that asked how we liked the atmosphere, or
what
we were playing. Sometimes we would
answer
them
out loud and sometimes we would just hum
and
acknowledge the essence of their thoughts and
affection. Their nearness was always comforting
like
they were our spirit relatives.
Sometimes when
we
were playing we would look up and see them
standing
in the distance. Sometimes we could see
them
approaching. One of the spirits was a
delicate
woman,
like a mother or auntie. She was always
dressed
in a long flowered dress with a multicolored
belt. She kept her hair in neat braids and wore
beads
and
shells around her neck. Her moccasins
were
soft
and brown. She would always sit with us
while
we
played with our dolls. Her presence was
always
comforting
and welcomed because the visible glow
from
her body was warm and safe. Sometimes we
would
share those meetings with our parents or our
aunties. All they would do was smile and gently
tell
us that it was all good. Lila Wasteste Bebela…
©
Lois Red Elk
Lila
Wasteste Bebela – Very good little babies
From:
Why I Return to Makoce, 2015,
Many Voices Press, Kalispell, MT.
Related Stories
September 20, 2017
A Good Life Writing After Years In The Forest Service
Mountain Journal columnist Susan Marsh spent three decades working for the US Forest Service, working on recreation and wilderness protection in...
April 29, 2023
Robert Staffanson On What It Means To Be A Real Cowboy
Not the kind of wrangler you see on 'Yellowstone': Staffanson, a Montana ranch kid, re-invented himself twice—as symphony conductor and Native...
September 19, 2017
Brian Jarvi’s “African Menagerie” Shows How Fine Art Can Move The Masses
Unprecedented Wildlife Painting Featuring 209 Species Was Partially Inspired By Thinking About Greater Yellowstone.